As Testemunhas

Oct 29, 2019 — The actor-turned-producer made Paramount a major player during the heyday of the New Hollywood.

Oct 29, 2019 — Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...

Oct 29, 2019 — Check out what’s in store next month on our streaming service!

Oct 28, 2019 — This year’s Tokyo International Film Festival salutes two singular directors, both in their eighties now but still going strong.

Oct 28, 2019 — One Scene In Nadav Lapid’s latest film, the award-winning Synonyms, a young man moves from Tel Aviv to Paris to make a clean break from his Israeli identity. This drastic attempt at self-reinvention is something that Lapid himself endeavored in his...

Oct 28, 2019 — With his fifth feature, the coal-mining saga Matewan, independent filmmaker John Sayles gathered an impressive group of collaborators—among them cinematographer Haskell Wexler and actors James Earl Jones, Chris Cooper, and Will Oldham—to make a drama on a subject that had...

Oct 26, 2019 — With her resplendent early feature An Angel at My Table (1990), Jane Campion widened the scope of her storytelling, adapting the memoirs of New Zealand writer Janet Frame for a decades-spanning, convention-shattering biographical film. As it follows Frame from childhood...

Oct 25, 2019 — This week we’re reading about Kira Muratova, The Uninvited, and The Wizard of Oz, and we’re listening in on Martin Scorsese and Kevin Jerome Everson.

Oct 24, 2019 — The nominations are out for the Gotham Awards, the IDA Documentary Awards, and the AACTAs.

Oct 24, 2019 — A retrospective in Vienna focuses on the guerrilla heroes of partisan cinema.