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Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...

Mar 15, 2019 — Featured in this week’s round: Edgar G. Ulmer, Stanley Kubrick, Jia Zhangke, and Guy Maddin.

Mar 13, 2019 — Women’s stories are central to five of the six top prize winners.

Mar 6, 2019 — Performances As Howard Hawks was preparing to make His Girl Friday, his 1940 version of the classic Ben Hecht and Charles MacArthur play The Front Page, he was determined not to repeat what he felt had been a problem with his earlier comedy Bringing Up...

Mar 5, 2019 — In his final years, the Mauritanian filmmaker was thrilled to see his work reaching new audiences.

Mar 4, 2019 — Working with Demy, Varda, Godard, Bresson, Resnais, and Pialat, the producer was a formidable force in French cinema.

Mar 1, 2019 — Claire Simon begins her new documentary The Competition with a shot of young filmmakers chatting outside the locked gates of La Fémis, the most prestigious film school in France, patiently awaiting an opportunity to be judged by a panel of...

Feb 22, 2019 — If I were to list the criteria for my ideal project, creating a sculpture of Tadzio, the young boy from Death in Venice, for a Criterion release of Luchino Visconti’s adaptation would just about tick off all the boxes. Firstly, I love cinema,...

Feb 21, 2019 — Repertory Picks In his first decade in Hollywood, Alfred Hitchcock landed on the perfect balance between swooning romance and intricately layered suspense with Notorious, a film whose moral ambiguity hinted at the increasingly complex material of his subsequent masterpieces. Propelled...

Feb 13, 2019 — The utterly delightful new film is the ninety-year-old artist’s guide to her films, photography, and visual art.