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Mar 11, 1991 — The long absent comic essence of the silent era was suddenly revived in the hands of lovable and wildly antic filmmaker Jacques Tati.

Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Dec 3, 1990 — Over the years I have had a recurrent nightmare in which I am summoned to a large, unfamiliar building in a middle-European satellite country (Bulgaria, perhaps) to tell the idea of Annie Hall to the Bulgarian Minister of Green Lights,...

Nov 19, 1990 — By facing death, Akira Kurosawa fashions an affirmation of life, characteristically clear-headed in its exploration of man’s fate.

Jul 1, 1990 — Jacques Tati’s radiant comedy charms first by its fresh simplicity and later by the depth and richness of its technique.

Jul 1, 1990 — Molded by Alfred Hitchcock’s direction and David O. Selznick’s editing, the film plays upon the conventions of the Gothic melodrama without ever losing its characters’ humanity.

Apr 23, 1990 — Paying little attention to civilized rules of cinema, and with a bit more than one million dollars, Steven Soderbergh expresses all his hidden anxieties in this indie classic.

Mar 5, 1990 — Vittorio De Sica’s neorealist masterwork is one of the greatest portraits of old age and loneliness ever brought to the screen.

Dec 18, 1989 — When Tootsie opened in December, 1982, the ad copy read: “In the next 72 hours this desperate, unemployed actor will secretly audition for the female lead of a soap opera.”  That was the plot line to the movie even when...

Dec 11, 1989 — Previous rock-and-roll movies had been little more than showcases for the latest music, aimed at exploiting the youth market, cheaply made and melodramatic—then along came one of the most finely crafted films ever made about rock-and-roll.