The Criterion Collection
Nov 20, 2012 — Michael Cimino’s visionary western is a superbly realized account of a shocking real American tragedy.
Nov 8, 2011 — Upon its release in the U.S. in 1983, the theatrical version of Ingmar Bergman’s Fanny and Alexander generated a wealth of controversy. Bergman has always seemed to breed conflict among cineastes (Phillip Lopate, for example, has written recently about the...
Features
May 26, 2011 — Last month, a new art-house theater opened here in Austin, the Violet Crown Cinema. (Our city has several pet names, and one of them is the City of the Violet Crown. Why it’s called that has been completely lost to...
Features
Sep 16, 2010 — Seven years ago, I was a bright-eyed recent university grad who had just moved to the big city—Toronto—for the first time. I was struggling to find my path as a filmmaker, and at the Toronto International Film Festival that year,...
Jan 26, 2010 — "All roads lead to Rome Open City,” Jean-Luc Godard once said, playing on the old Italian proverb—and meaning, we can assume, that when thinking about modern cinema, one always has to come to terms with Roberto Rossellini’s seminal film. Indeed,...
Essays
Nov 23, 2008 — Wes Anderson made a film without a trace of cynicism, one that obviously grew out of his affection for his characters in particular and for people in general.
Essays
Sep 17, 2007 — Today we are used to seeing dance artistically presented on television and in movies—these films about Martha Graham helped to make that happen.
Essays
Oct 24, 2005 — Kihachi Okamoto’s dynamic, intricately madcap movie is a multitoned send-up of samurai film lore.
Jun 13, 2005 — Ernst Lubitsch was a big-city director. The historical dramas that he made in Germany in the late 1910s and early 1920s were known around the world for their distinctively urbane approach, focusing on the private lives of public people. This...