Newfoundland Scene

Dec 20, 2017 — Over the past decade, contemporary Greek cinema has erupted onto the international film stage with a new vanguard of directors whose bold works share a taste for provocation and highly stylized worlds. This week on the Criterion Channel on FilmStruck,...

Dec 20, 2017 — Eric Kohn introduces the results of IndieWire’s 2017 Critics Poll: “More than 200 critics and journalists from around the world participated in the eleventh edition of the poll, making it the largest international critics survey of its kind.” Jordan Peele’s...

Dec 15, 2017 — First up, as Kristopher Tapley reports for Variety, the Academy of Motion Picture Arts and Sciences has narrowed the list of contenders for the best foreign language film Oscar to nine: A Fantastic Woman, directed by Sebastián Lelio, ChileIn the...

Dec 12, 2017 — Alexander Payne skewers the absurdities of American politics in this tale of a high-school presidential campaign gone ugly.

Nov 30, 2017 — New York. With The Non-Actor, a Film Society of Lincoln Center series programmed by Dennis Lim and Thomas Beard, running through December 10, J. Hoberman writes a brief but rich history of the notion for the New York Review of...

Nov 16, 2017 — Preston Sturges’s screwball masterpiece, about a glamorous con artist who fleeces a naïve millionaire, screens in Baltimore this week.

Nov 11, 2017 — Andrei Tarkovsky’s Stalker (1979), written by Boris and Arkady Strugatsky and based on their 1972 novel Roadside Picnic, screens tomorrow and Tuesday as part of The Strugatsky Brothers on Film, a series running through November 21 at Anthology Film Archives...

Nov 9, 2017 — This year’s AFI Fest opens tonight in Los Angeles with Dee Rees’s Mudbound and was to have closed on November 16 with Ridley Scott’s All the Money in the World—until Sony Pictures pulled it from the lineup in the wake...

Nov 9, 2017 — “DOC NYC started in 2010 and is now, at 250 movies and dozens of filmmaker workshops (best in class: ‘Show Me the Money Day’) spread over eight days [November 9 through 16], the biggest and probably best one-stop venue for...

Nov 1, 2017 — “If you go to a single production this season, make it this one.” That’s Anthony Tommasini, chief music critic for the New York Times, enthusiastically recommending Thomas Adès’s The Exterminating Angel, an opera inspired by Luis Buñuel’s 1962 film and...