Jun 11, 2007 Claude Berri’s witty comedy-drama depicts Nazi sympathizers with three-dimensional candor, neither whitewashing nor apologizing for their misguided ideas.

Oct 21, 2002 The Life and Death of Colonel Blimp is one of the great works of art in the history of film, and yet, except for some recent television screenings, this British production is largely unknown in the United States. This is...

Le Million

Essays

May 15, 2000 In René Clair’s ebullient early talkie, an unsentimental love of humanity permeates every frame.

Sep 19, 1994 The French do not have to take crash courses in order to deal with the man/woman thing. It is in their blood and in their civilization. Hence, they do not have to compensate for a habitual sexism with extravagant portraits...

Shampoo

Essays

Sep 23, 1991 Hal Ashby’s witty post-Nixon comedy shocked viewers in 1975 with its sexual activity and the taboo-breaking language.

Jul 8, 1991 James Bond: “Do you expect me to talk?” Goldfinger: “No, Mr. Bond, I expect you to die!” Goldfinger, arguably the best of all the Bond films, features an outrageous plot with a very realistic sense of danger. The third James...

Sep 7, 2018 F ew filmographies encapsulate the rebellious spirit of American cinema in the seventies better than that of Hal Ashby, who crafted an astonishing string of movies that stretched across the span of the decade. Finding success as an editor early...

Aug 26, 2015 Filmmaker Keith Gordon has directed the features The Chocolate War (1988), A Midnight Clear (1992), Mother Night (1996), Waking the Dead (2000), and The Singing Detective (2003), along with multiple episodes of the series Fargo, Homeland, The Leftovers, The Killing,...

Sep 30, 2013 Keegan McHargue is a painter whose work has been exhibited throughout the world and draws on many facets of culture, with a particular affinity for film. His exhibition Prick of Conscience was at Fredericks & Freiser Gallery in New York...

Remembering Mr. Altman

Production Notes

Nov 23, 2006 I first met Robert Altman in person in 1999, when I was producing a series of video introductions featuring contemporary directors discussing their favorite Janus films. Altman was the first Criterion director to respond to our request. We had sent...

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