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Jan 23, 2025 — In the run-up to the forty-first edition, critics have been writing up lists of their most-anticipated films.

Jan 23, 2025 — While Jacques Audiard’s Emilia Pérez takes the lead, the Academy has popped a few surprises.

Jan 22, 2025 — New films by Richard Linklater, Bong Joon Ho, Radu Jude, and Lucile Hadžihalilović are set for the seventy-fifth edition.

Jan 21, 2025 — Lynchian may be impossible to define, but you know it when you see it.

Jan 15, 2025 — Edward Berger’s improbably entertaining follow-up to All Quiet on the Western Front (2022) scores twelve.

Jan 14, 2025 — In his only directorial effort for the big screen, Richard Pryor takes the raw stuff of his life and alchemizes it as art, demonstrating the humor and vulnerability that made him a towering figure in American culture.

Jan 14, 2025 — There’s a Delphine Seyrig retrospective on in New York and another will open at the Harvard Film Archive on Friday.

Jan 13, 2025 — Toronto’s retrospective showcases an oeuvre that ranges from Fists in the Pocket (1965) to Kidnapped (2023).

Jan 7, 2025 — Retrospectives showcasing new restorations are on in Chicago and Los Angeles, and another is heading to New York.

Jan 6, 2025 — Sunday night’s big winners include The Brutalist, Emilia Pérez, and Flow.