The Criterion Collection
Jun 26, 2000 — Kevin Smith writes about his third feature as a sort of penance/valentine for the woman who made him grow up.
Essays
May 24, 1999 — Before The Red Shoes, there were films with dance numbers. After it, there was a new medium which combined dance, design, and music in a dreamlike spectacle. Hollywood musicals were quick to pay tribute—An American in Paris was the most...
Essays
Nov 23, 1998 — Paul Morrissey’s cult classic has obvious appeal for the lover of Grand Guignol—but it equally addresses the thoughtful.
Essays
Oct 12, 1998 — Inspired by the stranger-than-fiction true story of identical twin gynecologists, David Cronenberg’s psychological thriller is a melancholic meditation on our very existence.
Essays
Aug 25, 1998 — Here is an honest, visionary, pulp film, stripped of all romanticism, with characterizations and themes more real and relevant today than ever. To watch Shock Corridor now is to experience the complex, wacky, full-blown masterpiece of one of Hollywood’s great...
Jun 3, 1991 — Jean Marais on the set of Beauty and the Beast An excerpt from Cocteau: A Biography (1970) by Francis Steegmuller Beauty and the Beast, the first film of Cocteau’s own since The Blood of a Poet, and his finest poem since...
Nov 14, 1988 — It is sometimes as important to be in touch with the truths of your own time as it is to be in touch with its metaphors. 2001: A Space Odyssey, one of the most influential films ever made, constructed a...