Into the Okavango

Dec 7, 2018 — Christian Petzold’s films are like dances in which people circle each other but never quite connect. The most resonant moments in the German writer-director’s work are not ones of dialogue or plot development but of blocking and choreography: bodies intertwining,...

Dec 6, 2018 — Repertory Picks Since September, the Cinematheque at the University of Wisconsin–Madison has devoted its Sunday-afternoon screening series at the Chazen Museum of Art to the work of New German Cinema icon Rainer Werner Fassbinder. And this weekend, the retrospective’s second...

Jun 15, 2017 — Repertory PicksEvery day this weekend, on New York City’s Lower East Side, the Metrograph will give moviegoers the chance to see Todd Haynes’s 1995 film Safe in a 35 mm print. An elliptical drama suffused with existential dread, Safe revolves...

Apr 25, 2017 — When it comes to capturing the sensory pleasures of food on film, it’s hard to beat Juzo Itami’s mouthwatering 1985 “ramen western” Tampopo. A mix of wicked humor and surreal eroticism, this culinary odyssey follows a widowed noodle-shop owner and...

Sep 8, 2015 — Get ready to take notes: the centerpiece of Sight & Sound’s October issue is an annotated list of 100 overlooked films by women. In an article titled “The Female Gaze,” the magazine’s editors write, “We aim to challenge official film...

Jul 15, 2014 — Ihave an unusually easy way of remembering when I first became fascinated by Robert Bresson’s films. Pickpocket (1959) was the first one I saw, at the old Orson Welles theater in Cambridge, Massachusetts, in my late teens; it was also...

Apr 21, 2014 — A real-life prison uprising inspired this two-fisted tale directed by Don Siegel, who would go on to make many more films about men in extreme situations.

Apr 10, 2013 — Teinosuke Kinugasa’s landmark color film is a visual feast that has finally been vibrantly restored.

Jun 7, 2012 — Repertory PicksA film noir series is currently casting a long shadow over the Omaha movie theater Film Streams. The upcoming week’s selections include two prime crime melodramas from the fifties, both frenetic dispatches from the height of the cold war:...

Dec 2, 2010 — Jacques Tati’s Playtime (1968) opens in a shiny space: nuns breeze past; a woman in a white uniform clacks through, bearing towels; a baby cries. People wait. The feeling is “hospital.” A second woman in white delivers towels, and we...