The Criterion Collection
Essays
Sep 29, 2020 — Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...
The Daily
Sep 18, 2020 — The late scholar Robert Bird’s final essay on Tarkovsky and fresh writing on Béla Tarr, Eric Rohmer, and more are among this week’s highlights.
The Daily
Aug 13, 2020 — A sharp panel recommends events around the world, while New York and Venice add titles to their lineups.
Aug 4, 2020 — The NYFF lines up three films by Steve McQueen, Venice adds two titles, and Telluride reveals the lineup for the edition that would have been.
The Daily
Jan 2, 2020 — Steven Spielberg, Sofia Coppola, Spike Lee, Wes Anderson, Chloé Zhao, and Joanna Hogg are among the many directors ready to roll out their latest features.
The Daily
Nov 1, 2019 — Jonathan Glazer and Michael Mann return, Parasite fever burns on, and Paul Harrill rolls out his acclaimed second feature.
The Daily
Aug 20, 2019 — With The Hired Hand, Fonda created a classic of the new era ushered in by Easy Rider.
The Daily
Jul 24, 2019 — New films by Josh and Benny Safdie, Marielle Heller, Pablo Larraín, Kasi Lemmons, Rian Johnson, Robert Eggers, Steven Soderbergh, and Lou Ye are heading to the festival.
The Daily
Jul 23, 2019 — The festival announces an intriguing closing night film, and the sidebar known to most as Venice Days unveils its lineup.
Short Takes
Apr 5, 2019 — Two-Lane Blacktop A longtime Criterion contributor, Kent Jones has written for us on everything from the glories of studio filmmaking to the most daring and cerebral of art-house auteurs. But regardless of the subject he’s set his sights on, he’s...