The Criterion Collection
Sep 15, 2020 — When Claire Denis’s Beau travail (1999) first appeared on American screens, the critic Stephen Holden used a striking phrase to capture its embracing of bold opposites: “voluptuous austerity.” His characterization, widely quoted since, illuminates the film on many levels, and...
Aug 28, 2020 — One severe pan, a good handful of raves, and a set of fence-straddling reviews recommending that viewers go ahead and proceed—but with caution.
The Daily
May 19, 2020 — The range was remarkable, but the projects Piccoli selected and the directors he chose to work with are what make his body of work essential.
Apr 28, 2020 — “Fuck! Fuck you fuck me fuck old people fuck children fuck peace! Fuck peace.”Miranda July shouts at her car’s steering wheel. With a black Sharpie, she scrawls FUCK in huge letters on the inside of her windshield. She drives. Sunlight...
The Daily
Feb 27, 2020 — Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.
The Daily
Feb 21, 2020 — Reflections from Bong Joon-ho’s interpreter and a report from the set of Apichatpong Weerasethakul’s Memoria open this week’s wide-ranging round.
The Daily
Jan 23, 2020 — The return of Miranda July, a first feature from Garrett Bradley, and a new doc from Kirsten Johnson are a few of this year’s most anticipated features.
The Daily
Nov 26, 2019 — A smart and lively adaptation of a 150-year-old classic is warmly greeted in the first round of reviews.
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
Interviews
May 29, 2019 — In Anna Biller’s vibrantly colored fantasias, there’s not a glimmer of a sequin that hasn’t been envisioned by the artist herself. A writer, director, actor, producer, editor, composer, costume and production designer, and set decorator, she’s a one-woman studio, building...