The Criterion Collection
Mar 27, 2020 — The cost to the Soviet population due to the war with Germany from 1941 to 1945 has not been definitively established; the best-circulated estimate, about twenty-seven million, is thought by some scholars to be low by many millions. Under Joseph...
Features
Mar 26, 2020 — Deep Dives BOOM! Mahler (1974) begins auspiciously and iconoclastically, as befits its director, with a peaceful lakeside scene shattered by an abrupt conflagration. The combusting hut echoes Kiss Me Deadly and anticipates The Sacrifice and Lost Highway (Lynch: “I got...
The Daily
Feb 27, 2020 — Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.
On the Channel
Dec 31, 2019 — Check out what’s in store next month on our streaming service!
Dec 10, 2019 — Rock music, as director Wim Wenders once joked in an interview, offered to him and other Germans of his generation the “only alternative to Beethoven.” There is likely as much truth as hyperbole in the statement; considering the role that...
Dec 10, 2019 — Wim Wenders has often referred to his Until the End of the World (1991) as the “ultimate road movie,” and even he may not realize how accurate that description has turned out to be. It certainly was, and remains, the...
The Daily
Dec 9, 2019 — Hollywood’s foreign press and critics’ groups across the nation pick their favorites of 2019.
On the Channel
Nov 27, 2019 — Check out what’s in store next month on our streaming service!
The Daily
Nov 13, 2019 — TIFF Cinematheque presents an eclectic selection of eleven films by the Japanese director.
Features
Nov 11, 2019 — Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...