The Criterion Collection
May 21, 2013 — It’s tough to tell where reality ends and fiction begins in Haskell Wexler’s deft chronicle of a turbulent era.
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...
Mar 13, 2013 — The slimiest movie monster of them all is part of—and perfects—a great tradition of unstoppable outer-space invaders.
Essays
Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...
Production Notes
Jul 18, 2012 — John Lurie reminisces about making Down by Law and Fishing with John.
In Theaters
May 23, 2012 — Repertory PicksWhen most people think of Peter Falk, who died in June 2011, they recall his indelible embodiment of TV detective Frank Columbo. Yet movie lovers also remember the legendary, smoky-voiced actor for his slew of unforgettable big-screen roles, from...
Dec 22, 2011 — Performances Ingmar Bergman had originally envisioned Ingrid Bergman in the role of Helena Ekdahl, the matriarch who presides over Fanny and Alexander (1982) like a benevolent, gloriously red-swathed empress. The actress, however, who had already been ailing while shooting the...
Essays
Nov 22, 2011 — 12 Angry Men (1957), the first feature film directed by the legendary Sidney Lumet, is a Hollywood classic that, ironically, helped to define an era of filmmaking grounded in the gritty realism and frenetic energy of urban New York. A...
Oct 28, 2011 — The following is excerpted from a 1972 interview that film scholar Joan Mellen conducted with director Kaneto Shindo. The interview originally appeared in the 1975 book Voices from the Japanese Cinema. I find the social dimension of your films very...
Jun 27, 2011 — Shot in Berlin on the eve of the Great Depression with almost no budget, an equally modest cast of amateur actors, a relatively untested, unknown crew, and no major studio backing, the late silent film People on Sunday (1930) has...