The Criterion Collection
Oct 7, 2019 — One Scene Japanese filmmaker Takashi Miike has directed more than a hundred features, and almost three decades into his career he’s showing no signs of slowing down. Throughout his ferocious, often controversial body of work, he has contorted disparate genres...
The Daily
Oct 4, 2019 — Artists’ and amateurs’ videos, Ida Lupino, and TIFF Cinematheque programmers’ notes all figure in this week’s round.
Sep 27, 2019 — Charlie Chaplin gave The Circus (1928) one of his favorite themes, some of his most sublime gags, and an incomparably poignant ending. It’s a hugely personal work, which draws on moments from his whole career, from his early stage work...
Sep 10, 2019 — In this landmark melodrama, director Ritwik Ghatak channeled his grief over the destruction of his beloved homeland, Bengal, in the wake of the Partition of India.
Aug 13, 2019 — Something uncanny is brewing in George Sikharulidze’s Fatherland. This darkly comedic film transports us to a spring evening in Joseph Stalin’s birthplace—Gori, Georgia—where the townspeople have gathered on the sixty-third anniversary of their long-departed leader’s death. What follows is part...
Jul 29, 2019 — The late Dutch actor worked with directors as varied as Paul Verhoeven, Ermanno Olmi, Ridley Scott, and Nicolas Roeg.
The Daily
Jul 17, 2019 — The program of more than three hundred films includes new work by Pedro Costa, Koji Fukada, and Jeanne Balibar.
May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.
Interviews
May 29, 2019 — In Anna Biller’s vibrantly colored fantasias, there’s not a glimmer of a sequin that hasn’t been envisioned by the artist herself. A writer, director, actor, producer, editor, composer, costume and production designer, and set decorator, she’s a one-woman studio, building...
May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...