The Criterion Collection
Jan 24, 2023 — The Daniels’ gender-blender is out front, followed by The Banshees of Inisherin and All Quiet on the Western Front.
Dec 13, 2022 — A pioneering feminist artist drawn to universal themes, the Swedish director mined the complexity and humor of human behavior in films that courted controversy and cultivated a sense of detachment.
Dec 6, 2022 — Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.
Nov 16, 2022 — After glimpsing his great-great-grandfather on-screen, a writer searches for the history of a landmark silent film.
Oct 25, 2022 — One of the few American films of its era directed by a Black woman, Kasi Lemmons’s feature debut advances a critique of patriarchy and asks questions about gender and sexuality that still resonate today.
Oct 11, 2022 — Frank Capra’s flamboyant farce—his only black comedy—finds an uncharacteristically frenetic Cary Grant surrounded by a clan of genteel maniacs.
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.
The Daily
Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.
Aug 31, 2022 — The veteran designer talks about her wide-ranging, three-decade career, which has included collaborations with rock icons like Nirvana and filmmakers like Sofia Coppola and David Lynch.
The Daily
Aug 16, 2022 — The director’s first novel is an action-packed prequel and sequel to his 1995 film.