The Criterion Collection
Essays
Aug 30, 2022 — A lyrical study of a farming community in Ethiopia, Jessica Beshir’s debut feature reckons with the consequences of the region’s reliance on the cash crop khat.
Essays
Jul 5, 2022 — Bong Joon Ho’s fantasy blockbuster explores the follies of global capitalism through the lens of the meat industry—and a young girl and her “superpig” best friend.
The Daily
Jun 2, 2022 — Along with a fresh round of new issues from film journals, we’re reading about Mike Leigh, Juliet Berto, Julie Dash, and Clint Eastwood.
The Daily
Jun 1, 2022 — UCLA spotlights a diverse array of American lives depicted in films made between 1984 and 2020.
The Daily
May 9, 2022 — Waters has written his first novel, and a collection of Mueller’s writing has just been reissued.
Nov 16, 2021 — Starting with his first movie, in 1949, the Cantonese folk hero became a pop-culture phenomenon whose personality evolved to suit the times.
Sep 14, 2021 — A staple of 1980s British cinema, Neil Jordan’s crime drama considers the slippery characters that inhabit the London underworld.
Jun 22, 2021 — The multi-hyphenate artist’s staggering and frequently autobiographical body of work reimagines the depiction of Black people in American culture, encouraging us to question everything we see.
Apr 22, 2021 — Monte Hellman In 1965, Monte Hellman took a cast and crew to a desert in Utah and shot two westerns back to back. With The Shooting and Ride in the Whirlwind, Hellman introduced an existential dread and a Beckettian sense...
Apr 20, 2021 — 1. “I Felt Nothing” In September 2019, about halfway between claiming the Palme d’Or at Cannes in May and earning multiple Oscar nominations in January 2020, Bong Joon Ho’s Parasite was briefly upstaged by a movie from the director’s past....