The Criterion Collection
Jan 15, 2007 — Allison Anders, Dean Lent and Kurt Voss’s influential indie paints a compelling picture of the Los Angeles punk-rock scene of the 1980s: what it was like on the inside—and what it was like inside the musicians’ heads.
Dec 15, 2020 — One day in the late 1990s, when I was a young staff member at an art and media magazine, my boss asked me to interview an esteemed creative director of an ad agency. A few months earlier, that same magazine...
Sep 20, 2019 — In the winter of 1981, when I was young, I fell madly in love with a handsome poet. About two weeks into our affaire de cœur, we went to the Thalia on the Upper West Side of Manhattan to see...
Short Takes
Feb 2, 2016 — In November of 1974, German filmmaker Werner Herzog began walking from Munich to Paris. He had just learned that his friend and mentor, the film historian Lotte Eisner, was gravely ill and had been hospitalized in Paris, and Herzog decided...
Sep 26, 2024 — The directors discuss their award-winning documentary Bad Press and their effort to invert the exploitative dynamics that have long existed between documentary filmmakers and Indigenous communities.
The Daily
Aug 11, 2020 — Gina Prince-Bythewood, Pedro Almodóvar, Ellen Kuras, and Paolo Sorrentino are among the filmmakers who have lined up projects to take on as soon as it’s safe.
May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.
The Daily
Mar 5, 2019 — In his final years, the Mauritanian filmmaker was thrilled to see his work reaching new audiences.
Apr 28, 2026 — In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...
Aug 20, 2024 — In her formally daring debut feature, Martha Coolidge stages a confrontation with the subject of date rape that questions the kind of “closure” required in conventional storytelling.