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The Green Man

Oct 30, 2025 Classics of the genre—including Andrzej Żuławski’s Possession and David Cronenberg’s The Fly—explore the gory extremes of corporeal experience.

Nov 1, 2022 In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.

Jul 3, 2020 One Scene By 2008, Olivier Assayas was perhaps best known as a director of fraught, emotionally intense, experimentally structured thrillers such as Irma Vep (1996), demonlover (2002), and Boarding Gate (2007), so the contemplative quiet of the feature he released...

Apr 2, 2018 Updates are still coming into the first entry on this year’s New Directors/New Films running at the Film Society of Lincoln Center and the Museum of Modern Art in New York. This entry will take us all the way through...

Jan 21, 2018 “In a festival that rarely wants for political currency,” writes Justin Chang in a dispatch from Sundance to the Los Angeles Times, “it’s surely no coincidence that Blindspotting and Monsters and Men, the first two films to screen in this...

June Books

The Daily

Jun 21, 2023 The Method, riffs on pop culture, and a fist fight with Lawrence Tierney all figure in this month’s roundup on new and noteworthy titles.

Jan 12, 2021 In the course of selling or promoting a film, a director will invariably be asked, “What’s this movie really about?” The desired answer is usually predetermined—marketers want a concise, two-sentence hook; reporters want a sound bite; critics want a thesis...

Jan 30, 2020 Check out what’s in store next month on our streaming service!

Americans in Paris

The Daily

Nov 14, 2019 Curators Richard Peña and Livia Bloom Ingram bring nine “under the radar” titles by independent American filmmakers to the Cinémathèque française.

Dec 28, 2017 Every year for eleven years now, at the height of list-making season, Kristin Thompson, David Bordwell, or both offer a welcome twist with an entry on the best films that have just turned ninety. This year, Thompson looks back on...

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