The Criterion Collection
The musician selects classic love stories like I Know Where I’m Going! and The Earrings of Madame de . . ., talks about the dramatic suspense of Elevator to the Gallows, and reenacts a favorite moment from Band of Outsiders.
The legendary fashion designer talks about falling in love with The Red Shoes, shares why Moonstruck is a perfect movie to watch anytime and with anyone, and delights in the haunting glamour of Isabella Rossellini in Blue Velvet.
The journalist and author praises the perfectly calibrated tension in Notorious, talks about Jane Fonda’s dynamic performance in Klute, and shares what makes Fanny and Alexander such a personally resonant film.
The rapper, record producer, composer, and filmmaker talks about how the Once Upon a Time in China series elevated the martial genre, praises Mikey and Nicky as a master class in how to write a buddy movie, and shouts out...
The filmmaker cites All That Jazz as a major influence on modern editing, reveals the connection between Memories of Underdevelopment and Trainspotting, and shares his theory on why a director’s first film is always their best.
The actor selects favorite horror films like Videodrome and The Vanishing, talks about connecting with the work of Gregg Araki, and recommends that everyone watch Todd Haynes’s Safe.
The musician and actor talks about what makes Stan Brakhage’s films “very punk rock,” reflects on working with Jonathan Demme, and selects favorite films such as Black Girl and True Stories.
The actor shares what he loves about Preston Sturges and Alfred Hitchcock, recommends Brief Encounter and other intimate works by David Lean, and selects films featuring favorite actors like Claude Rains and Carole Lombard.
The actor, screenwriter, and comedian reminiscences about showing Shaun of the Dead to George A. Romero, shares the many reasons why he loves Quadrophenia, and praises the way David Lynch’s films lend themselves to interpretation.
The writer, director, actor, and cocreator of Hacks talks about how Being John Malkovich informed his sense of storytelling, praises Vanya on 42nd Street as one of the best productions of Anton Chekhov’s work, and admires Steven Soderbergh’s unique approach...