The Criterion Collection
Essays
May 15, 2000 — Agnes Varda’s Cléo from 5 to 7, the first fully-achieved feature by the woman who would become the premiere female director of her generation, dazzled when it opened, and looks even more timely today in its tackling of the fashionable...
Feb 3, 2021 — The lauded star of film, television, and theater was “determined to do all I could to alter the narrative about Black people.”
Sep 26, 2024 — The directors discuss their award-winning documentary Bad Press and their effort to invert the exploitative dynamics that have long existed between documentary filmmakers and Indigenous communities.
The Daily
Aug 11, 2022 — New York’s Film Forum commemorates the director’s centennial year with a series of twenty-one films.
The Daily
Jul 25, 2022 — TIFF 2022 lines up eight titles, including Steven Spielberg’s The Fabelmans.
The Daily
May 19, 2022 — As Tchaikovsky’s Wife premieres in competition, the Russian director fields questions about cultural boycotts.
The Daily
May 4, 2022 — The twenty-fifth edition offers lavish decadence, experimental poetry, and timely poignance.
Apr 13, 2018 — Soviet filmmaker Sergei Parajanov explored his Transcaucasian roots in this visually spectacular and wonderfully strange ode to the Armenian poet Sayat-Nova.
Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.
Aug 24, 2010 — T he Docks of New York is one of those orphaned silents, released in 1928, the very end of the era. Apparently, it was previewed the same week as Al Jolson’s The Singing Fool, his first “all-talking” picture, the follow-up...