The Criterion Collection
Mar 11, 2019 — It doesn’t take more than a few minutes of watching a Khalik Allah film to intuit that he’s a photographer. Over the course of just two documentary features, the thirty-four-year-old, New York–bred artist has developed an instantly recognizable style at...
The Daily
Feb 20, 2019 — An overview of the award winners and a few critical and personal favorites.
Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.
Aug 20, 2018 — A haven for punks and drifters, 1980s downtown New York is captured in all its grit and romance in Susan Seidelman’s Palme d’Or–nominated debut feature.
The Daily
Jul 25, 2018 — And Orson Welles’s The Other Side of the Wind will finally see the light of day.
Jul 16, 2018 — The legendary baseball writer talks about the no-nonsense pleasures of one of the all-time great sports movies and the classic essay he wrote about it.
Jul 4, 2018 — Wim Wenders and Jim Jarmusch have always been eager to credit the Dutch cinematographer for teaching them about color and light.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
On the Channel
Mar 14, 2018 — Bette Davis struck a blow against expectations of pliant female loveliness and grace with her role as a no-nonsense teacher in The Corn Is Green.
Short Takes
Feb 28, 2018 — With the Oscars coming up this weekend, we gathered some highlights from an in-depth conversation with five of this year’s most-lauded directors.