Sly

Dec 10, 2013 — Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.

Aug 20, 2013 — Satyajit Ray’s delicate masterpiece about forbidden love in the late nineteenth century is lovingly adapted from a novella by the great Rabindranath Tagore.

Jul 16, 2013 — Theater legend Peter Brook’s approach to bringing the classic fable about human savagery to the screen was radical in its straightforwardness.

Apr 9, 2013 — This review by film critic Janet Maslin originally appeared in the December 27, 1991, edition of the New York Times, and appears by permission of the author. Naked Lunch, adapted by the dauntless David Cronenberg from William S. Burroughs’s 1959...

Jan 8, 2013 — In Monte Hellman’s hypnotic road movie Two-Lane Blacktop, folk singer James Taylor gives a lead performance that is both unassuming and arresting, the kind of askew, unshowy, vanity-free acting that perhaps only a nonprofessional actor is capable of. As the...

Sep 20, 2012 — The following is excerpted from a 1990 audio interview that originally appeared on the Criterion Collection’s laserdisc edition of Children of Paradise. It was conducted by the late Brian Stonehill, who was a communications and media studies professor at Pomona...

Mar 15, 2011 — Based on Louis Malle’s childhood memories, this period drama traces the wary, prickly friendship between two boys, one of whom is hiding from the Nazis.

Jun 22, 2010 — In the autumn of 1989, the Iranian magazine Sorush printed a story about an unusual crime: a poor man had been arrested for impersonating a celebrated film director, Mohsen Makhmalbaf, to a middle-class family in northern Tehran. Although the accused,...

Sep 22, 2008 — With their rotating casts of sourpuss Finns and their stringent compositions, Aki Kaurismäki’s films would seem the least likely candidates for laughs, yet his black-comic precision has made him one of the most warmly embraced filmmakers on the international art-house...

Sep 26, 2005 — “They were down for each other.” If one wanted to pitch the concept of Bad Timing in six words, this comment by its director, Nicolas Roeg, couldn’t be bettered.