The Criterion Collection
Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.
Sep 23, 2016 — Did You See This? To celebrate the beginning of autumn this week, the BFI has published a list of ten films set during the season, including Douglas Sirk’s All That Heaven Allows, Yasujiro Ozu’s An Autumn Afternoon, Wes Anderson’s Rushmore,...
Essays
Apr 27, 2016 — In Phoenix, Christian Petzold sets his nuanced melodrama of postwar German-Jewish identity within a starkly realist aesthetic, making newly fascinating use of his enduring interest in the tensions between the real and the artificial.
Essays
Jan 21, 2016 — In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.
Jan 12, 2016 — In German filmmaker Wim Wenders’s high-strung thriller, adapted from two Patricia Highsmith novels, Dennis Hopper plays sociopathic con man Tom Ripley as a “hopped-up elf from hell” who works his charms on a winsome and guileless Bruno Ganz.
Sep 8, 2015 — Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.
Aug 25, 2015 — In Jean-Pierre and Luc Dardenne’s moving and humane critique of capitalism, true interpersonal communication is the only thing that can save us.
Features
Jun 4, 2015 — Rainer Werner Fassbinder stocked the cast of The Merchant of Four Seasons with friends and colleagues from his experimental theater days.
Jun 1, 2015 — A legionnaire turned fruit seller misses out on Germany’s economic miracle in Rainer Werner Fassbinder’s breakthrough melodrama.