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Show Me Love

May 24, 2024 — During a period of seismic change in U.S. history, the Hollywood studio system began to fracture beyond repair, resulting in a new freedom in how movies explored themes of violence, psychosis, and social breakdown.

May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.

May 20, 2024 — From documentaries and stop-motion animation to multimedia projects, the richly varied work of this veteran director is a testament to her innovative spirit and her commitment to the everyday beauty of African American experiences.

Apr 17, 2024 — Park Chan-wook and Don McKellar’s adaptation of Viet Thanh Nguyen’s novel stars Hoa Xuande and Robert Downey Jr.

Apr 9, 2024 — In Steven Zaillian’s eight-episode series, Andrew Scott gives us what many find to be the definitive Tom Ripley.

Mar 20, 2024 — Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.

Mar 18, 2024 — Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Feb 20, 2024 — I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...

Feb 14, 2024 — Among the highlights of this month’s programming are a selection of notorious Golden Raspberry Award winners, Isabella Rossellini’s Green Porno series, and a collection of extreme and virtuosic Method performances.

Buñuel in Mexico

The Daily

Jan 31, 2024 — MoMA presents a series of musicals, comedies, and melodramas injected with Buñuel’s singular surrealist vision.

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