Apr 15, 2002 — Jean-Pierre Melville’s first-class crime picture may be the most elegantly rigorous movie ever made about a cockeyed heist.

Jan 7, 1991 — Vittorio de Sica remembers the inspirations behind and the making of his classic film.

Umberto D.

Essays

Mar 5, 1990 — Vittorio De Sica’s neorealist masterwork is one of the greatest portraits of old age and loneliness ever brought to the screen.

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