NYAFF 2017

The Daily

Jun 30, 2017 Starting today, the Film Society of Lincoln Center and Subway Cinema present the sixteenth edition of New York Asian Film Festival, running through July 13 at the Walter Reade Theater and then from July 14 through 16 at the SVA...

Jun 26, 2017 “There can be no debate over the fact that for most of its history Cannes has been the key launching pad for what will account for a fair percentage of the year’s most important films,” grants Cinema Scope editor Mark...

Jun 21, 2017 New York. Having run through the festival circuit for months now, João Pedro Rodrigues’s The Ornithologist now begins its theatrical run on Friday at the IFC Center and the Film Society of Lincoln Center before heading out to select theaters...

Where Were We?

The Daily

May 17, 2017 Welcome to the first entry of the Daily at the Criterion Collection. For those of you who don’t know me, since 2003 I’ve been gathering links to essential—or simply fun—reading, news stories, and items of interest into a sort of...

Apr 25, 2017 After a string of ill-fated productions, Francis Ford Coppola channeled his feelings of self-doubt in this deeply personal take on S. E. Hinton’s beloved novel.

Apr 2, 2017 What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.

Mar 30, 2017 Repertory PicksNext Monday, the Michigan Theater in Ann Arbor will raise the curtain on the 1969 historical fantasy Fellini Satyricon. Following the underwhelming response to his first color feature, 1965’s gaudily surreal Juliet of the Spirits, and his reluctant abandonment...

Jan 9, 2017 A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.

Dec 26, 2016 PerformancesTraveling through the subterranean portals of Videodrome like an introverted wraith, Deborah Harry carries herself with the wry, burned-out, but still titillated instincts of a voyager buying a one-way ticket for the outer limits. A vivid, smallish part can either...

Oct 31, 2016 In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.

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