R.I.P.

Dec 9, 2014 — Liliana Cavani’s tale of the sadomasochistic bond between an ex-SS officer and a former concentration camp prisoner is a transgressive take on history and fascism.

Nov 10, 2014 — Monte Hellman’s existential westerns take Beckett to the desert.

Nov 5, 2014 — A review of the American auteur’s posthumously published novel

Nov 4, 2014 — In cinema history, there truly is no gag like a Tati gag.

Sep 24, 2014 — Roman Polanski’s dark vision is the perfect fit for Shakespeare’s grim tale of treachery and ambition.

Aug 26, 2014 — Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...

Jul 1, 2014 — The author’s recollections of the great English actor.

Jun 20, 2014 — Peter Weir’s sun-dappled, sexually charged nightmare about a disappearance in turn-of-the-twentieth-century Australia still unnerves due to its radical lack of resolution.

May 13, 2014 — Few national cinemas have confronted the issue of preparedness for war with the creative vigor of England’s. Thorold Dickinson’s The Next of Kin (1942), Alberto Cavalcanti’s Went the Day Well? (1942, from a story by Graham Greene), and, of course,...

Dec 17, 2013 — Prepare yourself for The Housemaid. Available in our new collector’s set Martin Scorsese’s World Cinema Project, Kim Ki-young’s twisted little tale, about a bourgeois family whose lives are thrown into dangerous disarray by the arrival of a live-in domestic, throws...