The Criterion Collection
Essays
Nov 12, 2024 — Filled with expressionistic shadows and pungent details of life in the criminal underworld, this seminal tale of money and violence was among director Howard Hawks’s favorite of his own films.
The Daily
Nov 5, 2024 — As a composer, arranger, producer, and perhaps above all, connector, Jones was one of the most vital artists of the past seventy years.
The Daily
Oct 31, 2024 — She brought a winning intelligence to suffering characters in such films and Young Frankenstein, Tootsie, and After Hours.
Oct 8, 2024 — An otherworldly exploration of the realm between life and death, this horror masterpiece transcends its genre with its poetic, often unsettling use of fragmentation and discontinuity.
The Daily
Sep 25, 2024 — A dozen newly restored films from the 1970s, ’80s, and ’90s will screen in this year’s program.
Sep 17, 2024 — A vision of late-1970s London that foreshadows the political volatility of the Margaret Thatcher era, this gangster saga stars an unforgettably tempestuous Bob Hoskins as a little Englander with big dreams.
The Daily
Sep 16, 2024 — Ready or not, the win for Mike Flanagan’s Stephen King adaptation kicks off this year’s awards season.
The Daily
Sep 13, 2024 — Will we ever see Ezra Edelman’s Prince documentary? Plus Chantal Akerman, Demi Moore, and the waning of “elevated horror.”
Sep 10, 2024 — Andrew Haigh explores loss and queer loneliness in this exquisite, twilit tangle of lives and loves separated by space, time, and personal defenses.
The Daily
Sep 9, 2024 — Venice award-winners also include Brady Corbet, Nicole Kidman, Maura Delpero, and Dea Kulumbegashvili.