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Jun 29, 2022 — A fresh round on biographies and studies of filmmakers and actors as well as a few novel ideas and critical collections.

Jun 8, 2022 — A major figure in contemporary Hindi literature pays tribute to Guru Dutt in this fantasia that reimagines the great filmmaker’s death.

May 31, 2022 — The jury gave awards to nearly half the competition, but some critical favorites missed out.

May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.

May 25, 2022 — Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...

May 20, 2022 — Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.

May 17, 2022 — Juzo Itami’s tragicomic directorial debut has scandalous fun with the Japanese traditions governing death.

May 11, 2022 — Louis Feuillade’s influential serial Les Vampires reflected the French national subconscious at the time by depicting a madcap world of anarchy and violent spectacle.

Apr 26, 2022 — In the opening moments of Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (2020), we first hear—the ceaseless hum of machines at work—and then see: a jumble of multicolored wires. The 16 mm film image is grainy, trembling ever...

Apr 22, 2022 — Over my forty-plus years at Janus and Criterion, few films have meant more to me than For All Mankind, because of my lifelong passion for space travel. I remember being a second-semester freshman and registering for Astronomy 101. It was...