Little Q

May 17, 2024 — We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.

May 14, 2024 — Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.

May 14, 2024 — Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.

May 3, 2024 — Hiroshi Shimizu and Oscar Micheaux retrospectives open in New York and cinematographer Hélène Louvart talks about working with Varda, Wenders, and more.

Apr 29, 2024 — From After Hours to Mikey and Nicky to Collateral, movies centered on the twists and turns of a single night give filmmakers the chance to boldly experiment with cinematic time and space.

Apr 25, 2024 — The American Cinematheque presents all six features, including the Los Angeles premiere of Eureka.

Apr 24, 2024 — This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.

Apr 24, 2024 — In this early-career gem from one of the most beloved Japanese animation directors of all time, an extravagant sci-fi narrative is anchored by the transcendent power of young love and poignant observations of modern life.

Apr 17, 2024 — Three of this month’s programs blast back to the turbulent midcentury moment when old Hollywood gave way to something new.

Apr 9, 2024 — This year’s edition features a rediscovered short starring Clara Bow, a precursor to the folk horror craze, and a whole lot of gags from Harold Lloyd.