The Criterion Collection
May 12, 2014 — The Italian cinema expert describes the immense popularity of Dino Risi’s film in its home country, and the way it deepened the commedia all’italiana genre.
May 5, 2009 — French filmmaker Julien Duvivier is undoubtedly best known for the 1937 classic Pépé le Moko, starring Jean Gabin. But many film lovers today have seen little else by this poetic realist pioneer, a victim, Michael Atkinson writes in an insightful...
The Daily
Jul 24, 2026 — September will bring new films from Lee Chang-dong, Julia Loktev, Barbara Kopple, Mariano Llinás, and Takashi Miike.
In Theaters
Dec 17, 2015 — Repertory PicksJust in time for December’s holiday gatherings and celebrations, the Cinefamily theater in Los Angeles will screen Arnaud Desplechin’s 2008 film A Christmas Tale (Un conte de Noël), as part of its monthly series La Collectionneuse, which is devoted...
Features
Aug 24, 2011 — bonne femme, à la [bohn FEHM, bohn FAM]Literally translated as “good wife,” the term bonne femme describes food prepared in an uncomplicated, homey manner. Sole bonne femme is a simply poached fish served with a sauce of white wine and...
Sep 8, 2015 — Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.
Feb 10, 2021 — Carrière was a humble and eager collaborator, working with Buñuel, Forman, Malle, Oshima, Schlöndorff, Wajda, and Godard.
Features
Jan 29, 2021 — Dark Passages A nightclub floor show with dancers kicking and tapping under a scrim of cigarette smoke and the murmuration of an indifferent crowd. Couples listlessly swaying in a second-floor ballroom, the men clutching rolls of tickets and the ladies...
The Daily
Jan 9, 2018 — In just over a week now, the winter festival season will begin as Sundance opens on January 18 to run through the 28th. On January 24, the International Film Festival Rotterdam will open and run through February 4; see the...
The Daily
Aug 29, 2025 — The Ringer ranks this century’s greatest on-screen turns and Joseph McBride champions John Ford’s final feature.