The Criterion Collection
Aug 12, 2015 — Director Karel Reisz and writer Harold Pinter’s brilliant adaptation of John Fowles’s novel focuses on the experiences of women in two radically different eras.
Jul 13, 2015 — “I think that in a few years, in ten, in twenty, or thirty years, we shall know whether Hiroshima mon amour was the most important film since the war, the first modern film of sound cinema.” That was Eric Rohmer,...
Jun 29, 2015 — This work of hallucinatory lyricism was one of the final and freest expressions of the rule-flouting New Wave movement in Czechoslovakia.
Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.
Oct 21, 2014 — Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.
Essays
Sep 24, 2014 — Roman Polanski’s dark vision is the perfect fit for Shakespeare’s grim tale of treachery and ambition.
Interviews
Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...
Aug 18, 2014 — The filmmaker and critic discuss the pleasures and provocations of the Spanish auteur’s work.
Essays
Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.
Essays
Jan 7, 2014 — Satyajit Ray was ailing when he made them, but these three works from the great filmmaker’s final years show an artist at the height of his powers.