The Criterion Collection
The Daily
Dec 10, 2020 — Twenty-four features from around the world offer a remedy for cabin fever.
Apr 28, 2020 — I first fell in love with Miranda July’s work with her strange, wild, poignant short stories; her stories led me to her novel and first two feature films, which I watch so often that they have over time become spiritual...
The Daily
Jan 12, 2018 — The sixty-eighth Berlin International Film Festival is just over a month away now, running from February 15 through 25, and so far, we’ve seen first rounds of titles lined up for the Competition and the Panorama, Generation, and Shorts programs—as...
Nov 7, 2017 — A haughty socialite is torn between the affections of three men in George Cukor’s blissful comedy of manners.
May 31, 2017 — New Taiwan Cinema master Edward Yang’s sophomore feature explores the conflict between tradition and modernity reflected in a relationship on the rocks.
May 1, 2017 — Francis Ford Coppola’s 1983 Rumble Fish captures rebellious youth in all its existential angst, following gang leader Rusty-James (Matt Dillon) as he navigates troubled relationships with his near-mythical older brother (Mickey Rourke), his on-and-off girlfriend (Diane Lane), and his drunkard...
On the Channel
Dec 13, 2016 — Yesterday, we kicked off our Criterion Channel series Spy Games by sharing Graham Greene's review of Jacques Feyder’s Knight Without Armour, a highlight in the lineup. Today, we’re focusing on another title in the series, Sabotage, which marked “the first...
Feb 25, 2014 — A testament to Steven Soderbergh’s versatility, this story of a boy growing up during the Great Depression is a tender but tough-minded look at a child’s inner world.
Sep 28, 2010 — “The past, again and again.” —Major Jack Celliers, Merry Christmas Mr. Lawrence Nagisa Oshima’s filmmaking career began with the risen sun—or rather, with the promise of a sun soon to rise: Tomorrow’s Sun (1959), a dizzyingly designed faux “coming attraction”...
Jun 16, 2010 — What seems so extraordinary to me about Mystery Train, watching it again twenty years after its deadpan arrival, is not just how fresh and vivid—how utterly timeless—it remains but the extent to which it truly embraces both the myth and...