The Criterion Collection
The actor and star of Megalopolis shares her deep connection to Steve McQueen’s Small Axe, reminisces about growing up repeatedly watching Love & Basketball, and reflects on the cultural importance of Paris Is Burning.
In celebration of Halloween, the singer-songwriter, actor, and producer shares her spooky season favorites, highlighting both the spine-tingling sensations and social undercurrents that permeate such classics as Night of the Living Dead, Brazil, and Eraserhead.
The actor and director talks about the thrilling sensation of seeing All That Jazz for the first time, reminisces about watching Klute while on the set of Twilight, and reflects upon her favorite Ingmar Bergman films, such as Winter Light...
The writer and director of the cult classic The Babadook shares her love for fellow Australian filmmaker Peter Weir’s The Last Wave, talks about her repeat viewings of Mulholland Dr., and selects spine-tingling Japanese horror classics Kuroneko and Onibaba.
This torchbearer of feminist cinema in France is celebrated for her sumptuous portraits of youth, desire, sexual discovery, and queer identity.
The director and cinematographer is renowned for her formally innovative documentaries, which explore the ethics of filmmaking and spectatorship and the complexity of her own personal relationships.
The iconic actor shares her profound connection to Hirokazu Kore-eda’s After Life, recalls the deep impact Gena Rowlands had on her life and career, and selects favorites by Gordon Parks, Jim Jarmusch, Albert Brooks, and John Sayles.
The legendary actor talks about her lifelong love of Bette Davis, reminisces about working with John Cassavetes, and selects favorites by Hal Ashby, Gillian Armstrong, and Bill Forsyth.
The acclaimed actor shares her love for Donald Sutherland’s and Julie Christie’s performances in Don’t Look Now, praises Terry Gilliam’s vast imagination, and talks about getting energized by listening to the Godzilla score.
The actor shares her love for sexy and stylish heist movies like Charade and Thief; praises the work of Juzo Itami (whom she calls “the G.O.A.T.”) and his wife, Nobuko Miyamoto; and talks about the African American surrealist imagery in...