Oct 17, 2023 I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...

Oct 17, 2023 She left the movies twice but returned to deliver memorable performances in The Hustler, Carrie, and Twin Peaks.

Noir by Gaslight

Features

Oct 4, 2023 Night has fallen in London, but the streets still teem with people. Through a second-story window, we watch as an elderly Jewish man who lives over a shop is stabbed to death and his rooms are set on fire. We...

Oct 3, 2023 Echoes of the eighty-three-year-old director’s life and career are heard throughout his fourth feature.

Sep 29, 2023 The newly reconstructed and restored seven-hour version of the 1923 melodrama screens on Saturday and again next week in New York.

Sep 26, 2023 Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.

Sep 26, 2023 In this vibrant, music-filled portrait of an artist and his community, director Luis Valdez gathers what little is known about rock-and-roll idol Ritchie Valens and fuses it with a lived-in understanding of what it is to be Chicano.

Sep 25, 2023 There was a period under the Nixon administration when the collective American psyche, as seen on film, seemed almost convulsed by its fixation on the motor vehicle. Every other week a moviegoer might see a film that could broadly be...

Sep 22, 2023 John Waters goes Hollywood, Terence Davies reads a poem, and Marguerite Duras tears it all down.

Aug 29, 2023 Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...

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