The Criterion Collection
Dec 1, 2022 — During the production of our release of Amores perros in 2020, the film’s writer-director, Alejandro G. Iñárritu, gave us a remarkable window into his creative process, showing us some of the dozens of note cards he’d used in planning scenes...
Features
Sep 2, 2019 — Dark Passages Thieves’ Highway A hay cart trundles through a sunny field above Fresno, California, in the opening shot of Thieves’ Highway. This is not an image you expect to see in film noir, which most often breeds in cities, alienated from the...
Mar 16, 2015 — Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.
The Daily
Mar 17, 2023 — This week: Good news from repertory programmers, new columns, and a talk with Louis Garrel.
Dec 3, 2021 — What do amphetamines, intellectual property, and Sour Belts have in common? They all correspond to a letter of the alphabet that structures the world of Don’t Go Tellin’ Your Momma, the short-film companion to musician and filmmaker Topaz Jones’s funk-infused...
Nov 5, 2021 — A teenage girl looks on with both envy and disapproval as her mother shimmies on the dance floor in the arms of a lover. “Beautiful,” observes a friend. “I know,” says the daughter, bitterly, before falling asleep in her nanny’s...
Aug 28, 2024 — United by a meditative approach that captures the spiritual bounty of the natural landscape and the tolls of physical labor, this Mexican director’s films challenge stereotypical depictions of his country’s rural communities.
Aug 30, 2021 — An electrifying voice in American independent cinema, the filmmaker, artist, and DJ Ephraim Asili believes that moving images can revolutionize our perception of the world. His body of work attests to this conviction. Since he began making films more than...
Jul 23, 2025 — The director of Female Perversions looks back on the film’s transgressive exploration of women’s sexuality and on Tilda Swinton’s role as a key collaborator.
Mar 16, 2021 — In Céline and Julie Go Boating (1974), play is a life force, pleasure a form of liberation. Drawing inspiration from cartoons, Hollywood musicals, and the vaudeville shenanigans of early screen comedy in the vein of Buster Keaton and the Marx...