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Aug 8, 2024 — The monumental forty-film box set CC40 celebrates forty years of the Criterion Collection with an electrifying mix of classic and contemporary films, and presents them with all their special features and essays.

Apr 21, 2022 — Critics recommend favorites from this year’s selection of twenty-six features and eleven shorts.

Nov 18, 2018 — This diva of the screen brought a touch of elegance and no-nonsense wit to her roles in Waiting Women, Smiles of a Summer Night, and other Bergman gems.

Jul 25, 2017 — Joshua Z Weinstein has directed the feature documentaries Drivers Wanted and Flying on One Engine. His recent credits as director of photography include Elaine Stritch: Shoot Me, Code of the West, and the forthcoming Bikini Moon. Weinstein has been nominated...

Sep 23, 2015 — Bruce Beresford draws on a controversial episode of Australian colonial history from 1901 to create an electrifying drama that questions the moral certitude of war.

Yolanda Machado is a Los Angeles–based first-generation Peruvian Mexican American entertainment writer, editor, and critic. She is a digital editor for Entertainment Weekly. Before her time at EW, she was a film critic for the Wrap, and she has also...

Kevin Brownlow was a film collector at eleven and a filmmaker at fourteen. He became fascinated with the silent era and interviewed many of the pioneers, writing The Parade’s Gone By in 1968 and making the miniseries Hollywood in 1980...

Peter Guralnick has written extensively on American music and musicians. His books include a prize-winning two-volume Elvis Presley biography, Last Train to Memphis and Careless Love, and Dream Boogie: The Triumph of Sam Cooke. He is currently at work on...

Jeanine Basinger is the Corwin-Fuller Professor of Film Studies, the founder and curator of the Wesleyan Cinema Archives, and the founding chair of the Film Studies Department at Wesleyan University. She is the author of eleven books on film, as...

Jan 23, 2024 — In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.