At Sundance

Aug 9, 2010 — Now that Terry Zwigoff’s Crumb is fifteen years old, it seems pretty safe to say that it has evolved from a potential classic to actually being one. But what kind? A documentary portrait of a comic-book artist, musician, and nerdy...

Apr 21, 2023 — A. V. Rockwell is an award-winning screenwriter and director. Named one of Filmmaker magazine’s “25 New Faces of Independent Film,” she has been celebrated for addressing issues of race, identity, and systemic oppression with her distinctive voice. Rockwell’s debut feature...

Jan 1, 2022 — Ring in the new year with the French New Wave, Joseph L. Mankiewicz, and a look back at the 1992 Sundance Film Festival.

Dec 9, 2016 — Clea DuVall is an acclaimed actor whose credits over the past twenty years include the cult favorites But I’m a Cheerleader and The Faculty, Rodrigo Garcia’s Passengers, David Fincher’s Zodiac, and Ben Affleck’s Oscar-winning Argo, as well as the TV...

Ife Olujobi is a Brooklyn-based playwright and editor. Their play Jordans was produced at the Public Theater and won a 2025 Obie Award for playwriting. She has been an artist-in-residence at Ars Nova, Sundance Institute Theatre Lab, Ensemble Studio Theater,...

Michael Almereyda’s most recent film, Tesla, was awarded the Alfred P. Sloan Feature Film Prize at the 2020 Sundance Film Festival. His previous films include Nadja, Hamlet, William Eggleston in the Real World, Experimenter, and Marjorie Prime.

Jan 25, 2023 — Critical favorites include new films by Ira Sachs, Roger Ross Williams, William Oldroyd, and Raine Allen-Miller.

Jan 31, 2022 — What have the critics been saying about this year’s winners?

Jan 22, 2018 — “In The Tale, an early critical favorite at this year’s Sundance Film Festival and a drama of uncommonly troubling power, Laura Dern plays Jennifer Fox, a documentary filmmaker trying to remember an experience that befell her at the age of...

Jan 21, 2018 — “In a festival that rarely wants for political currency,” writes Justin Chang in a dispatch from Sundance to the Los Angeles Times, “it’s surely no coincidence that Blindspotting and Monsters and Men, the first two films to screen in this...