Sep 22, 2021 Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...

Sep 21, 2021 Johnnie To pays homage to Akira Kurosawa in this martial arts drama about the virtue of struggle and self-improvement.

Sep 16, 2021 For some, it’s “a relentless, propulsive chase movie,” while others find this first part to be “a turgid preamble with little payoff.”

Sep 13, 2021 Audrey Diwan, Jane Campion, and Maggie Gyllenhaal take home top awards.

Sep 2, 2021 A dark chapter in Spain’s history lurks in the background of Almodóvar’s exuberant comedy.

Aug 30, 2021 An electrifying voice in American independent cinema, the filmmaker, artist, and DJ Ephraim Asili believes that moving images can revolutionize our perception of the world. His body of work attests to this conviction. Since he began making films more than...

Aug 30, 2021 As the fifty-fifth edition wrapped over the weekend, Stefan Arsenijević’s As Far as I Can Walk took three prizes.

Aug 20, 2021 This week we’re appreciating performances from Elliott Gould and Elaine Stritch and delving into the work of Lav Diaz and Kevin Jerome Everson.

A Noir-Tinged Week

The Daily

Aug 13, 2021 This week we’re reading about the first and second waves of noir and taking a good look at a smartly dressed man.

Aug 10, 2021 Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.

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