The Criterion Collection
The Daily
Oct 19, 2017 — Danielle Darrieux, who turned 100 on May 1 and appeared in over 110 films, perhaps most famously in three directed by Max Ophuls, has passed away, reports the AP.“Unlike most branded stars whose appeal can be captured in one well-chosen...
The Daily
Aug 30, 2017 — “You could argue that [Janicza Bravo’s] Lemon thinks too much about its own face, its style over its substance,” writes Niela Orr for the Baffler, “but it does so in service of its critique of white male narcissism. To this...
The Daily
May 23, 2017 — “He was the epitome of the suave English gent, quipping sweatlessly in a bespoke three-piece suit, who enjoyed an acting career spanning eight decades,” writes Benjamin Lee for the Guardian. “On Tuesday, Roger Moore’s children announced his death at the...
Features
Sep 19, 2016 — If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop.
Short Takes
Aug 9, 2010 — We’re always tickled by the entries in the Guardian’s Films That Changed My Life series, in which directors and actors wax eloquent about the films that have been most formative for them. This week, the publication asked actor Alfred Molina...
Essays
Dec 3, 2008 — Gliding on silvery reels of steel, and tricked out with Lars von Trier’s panoply of visual effects, the film ravishes with its elaborately storyboarded tunnel vision.
Nov 28, 2006 — Paris. We landed here yesterday at midday, and after a quick stop at our hotel, executive producer Fumiko Takagi and I headed straight to the offices of TF1 and Canal+ in Issy-les-Moulineaux for meetings. Issy is not what you think...
May 8, 2020 — The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...
Feb 5, 2013 — Keisuke Kinoshita’s most experimental film is a resplendent, kabuki-inspired, folk-derived drama about mortality.
Dec 1, 2006 — We left St-Michel feeling uplifted and took a nice stroll south, past the Closerie des Lilas, the restaurant made famous by Hemingway, and through the Luxembourg gardens, where a film crew was laying dolly tracks and fitting counterweights on a...