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After War

Sep 22, 2021 Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...

May 18, 2021 The 1892 Chinese novel The Sing-Song Girls of Shanghai opens with a prologue in which the author, Han Ziyun, writes from his own perspective, providing a gateway into the book by describing a dream he has had. Referring to himself...

Amos Vogel at 100

The Daily

Mar 31, 2021 The Austrian Film Museum and Punto de Vista celebrate one of the most influential programmers in the history of cinema.

Jun 23, 2020 Late in Tokyo Olympiad, Kon Ichikawa’s thrillingly anomalous record of the 1964 Olympic Summer Games, the film documents one of the most taxing contests, the individual modern pentathlon, in a startling montage of still photographs, accompanied by stark sound effects....

Aug 22, 2017 French cinema titan Sacha Guitry brings a savage misanthropy to this exploration of a toxic marriage and the arbitrariness of the legal system.

Oct 13, 2016 From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.

Mar 25, 2015 Long unheralded and at last rediscovered, actor-director Robert Montgomery’s Ride the Pink Horse is one of the key Hollywood features of 1947, the year film noir flooded the screen like a ruptured reservoir of India ink. Adapted from the popular...

Dec 13, 2011 Seijun Suzuki’s delirious, absurdist deconstruction of the crime genre is the strangest film the director made at Nikkatsu, Japan’s oldest film company.

Aug 18, 2011 Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...

Oct 17, 2018 Peter Jackson revamps archival footage from the First World War in They Shall Not Grow Old.

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