Jul 7, 2008 Every decade since 1984 the Toronto International Film Festival has conducted a poll of film scholars, critics, and directors to determine the ten best movies in the history of Canadian cinema. This top-ten list has changed somewhat over the years,...

Aug 13, 2007 Cría cuervos . . . , Carlos Saura's political and psychological masterpiece, was shot in the summer of 1975, as Spanish dictator Francisco Franco lay dying, and premiered in Madrid's Conde Duque Theatre, on January 26, 1976, forty years after...

Oct 16, 2006 Screenwriter Carlos Cuarón delves into the character played by Luis De Icaza.

Samurai III

Essays

Jul 21, 1998 Samurai III, Duel at Ganryu Island, is the last and best part of Hiroshi Inagaki’s Trilogy. In contrast to the earlier, more action-oriented Samurai I and II, this final section shows its hero Musashi (Toshiro Mifune) struggling with questions as...

Dec 2, 1991 In 1972, Stephen King began writing a short story entitled “Carrie”. The opening revolved around the unexpected and late arrival of Carrie White’s first menstrual period in front of her classmates in the girls’ locker room. But, King stopped when...

Jun 30, 2008 The idea of self-fashioning—of deliberately taking the raw materials of one’s body and mind and transforming them into a work of art—has been with us at least since the Renaissance. Yet no one, not even Oscar Wilde, has so rigorously...

Apr 29, 2025 A gritty look at New York City’s underground economy through the eyes of an immigrant street hustler, Sean Baker’s third feature film demonstrates his gift for combining hardscrabble social realism and mischievous humor.

May 23, 2023 Anatomy of a Fall, May December, and About Dry Grasses are among the critical favorites in competition in Cannes.

Mar 10, 2023 Primarily known as a costume and production designer, this multitalented visionary deserves to be more widely recognized as one of the most important creative forces behind the Czechoslovak New Wave.

Dec 13, 2022 A departure from the tales of sex and violence that defined Black cinema in the early 1970s, Michael Schultz’s beloved coming-of-age film celebrates the emotional bonds among a group of young Black men.

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