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Two to One

Jul 29, 2014 Combining a tragic romance and the story of a workers’ strike, this musical melodrama is perhaps Jacques Demy’s most neglected masterpiece.

Jun 23, 2014 Peter Davis’s provocative, Oscar-winning Hearts and Minds, released to the American public in 1974, is that rare documentary whose truths and relevance have been underlined and amplified by the passage of time. The title is derived from President Lyndon B....

Mar 24, 2014 Rome is as exquisite as it is suffocating in Paolo Sorrentino’s profound tale of contemporary entropy.

Dec 10, 2013 Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.

Oct 24, 2013 In John Cassavetes’s personal cinema, the director was always trying to break away from the formulas of Hollywood narrative, in order to uncover some fugitive truth about the way people behave. At the same time, he took seriously his responsibilities...

Oct 23, 2013 If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...

Oct 16, 2013 Georges Franju deftly balances fantasy and realism, clinical detachment and operatic emotion, beauty and pain, all presided over by Edith Scob’s haunting, haunted eyes.

Jul 3, 2013 PerformancesIn Rosemary’s Baby, one of the first exclamations that Minnie Castevet (Ruth Gordon) makes on hearing the news that her young neighbor Rosemary (Mia Farrow) is expecting a little bundle of joy is “I can’t wait to tell Laura-Louise!” Earlier,...

Jun 17, 2013 The author introduces a new Current series that will feature his reminiscences about his encounters in international cinema circles over the past five-plus decades.

Apr 9, 2013 This review by film critic Janet Maslin originally appeared in the December 27, 1991, edition of the New York Times, and appears by permission of the author. Naked Lunch, adapted by the dauntless David Cronenberg from William S. Burroughs’s 1959...

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