The Criterion Collection
Jun 17, 2021 — The first real lesbian kiss in a film is an honor that rightfully belongs to Mädchen in Uniform. It’s true that a year earlier, in 1930, Marlene Dietrich played a tux-clad chanteuse who snogs a woman in a nightclub audience...
The Daily
Sep 25, 2017 — New York. From October 12 through 26, the Metrograph will present Philippe Garrel: Part 1, the first half of the most complete retrospective ever to be staged in the U.S. I’m flagging this event early not only because the New...
The Daily
Sep 8, 2017 — “A complex and layered work, [Jonas Mekas’s] Lost Lost Lost [1976]—especially its first hour—is among cinema’s most poignant accounts of the immigrant experience,” writes Girish Shambu. “Historically, the best immigration cinema stages, in an astonishing multitude of ways, a divided...
The Daily
Jun 12, 2017 — “As incredible as it seems,” write Cristina Álvarez López and Adrian Martin in the new issue of Sight & Sound, “Philippe Garrel, at the precocious age of 16, had already sketched most of the now familiar elements of his cinematic...
Essays
Nov 19, 2008 — Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Astrid Hadad
Essays
May 26, 2003 — Despite its modest claims, Volker Schlöndorff’s twelfth film—about the near-civil war that raged in the Baltic provinces in the early twenties—is a jewel among his creations.
Essays
Apr 23, 1990 — Paying little attention to civilized rules of cinema, and with a bit more than one million dollars, Steven Soderbergh expresses all his hidden anxieties in this indie classic.