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Sep 12, 2018 — Both Sunset and Our Time have their champions and detractors.

Sep 11, 2018 — There is a brief, nearly throwaway scene early in Olivier Assayas’s Cold Water (1994) that testifies to the transcultural power of rock and roll. In an apartment outside Paris in 1972, we see two teenage brothers wrestling over a portable...

Sep 10, 2018 — One of the pleasures of programming a new short-and-feature pairing every week on the Criterion Channel is getting to celebrate the artistic freedom that short films offer emerging artists. With tighter run times and smaller budgets, the form comes with...

Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.

Sep 8, 2018 — The star of over a hundred movies wielded his laid-back charisma to conquer the box office throughout the 1970s.

Sep 7, 2018 — For the Criterion Channel original series Art-House America, now playing on FilmStruck, we recently visited the Texas Theatre in Dallas, a venue that became infamous as the site where Lee Harvey Oswald was arrested and now hosts a variety of imaginative...

Sep 6, 2018 — New films by Jennifer Kent, Jacques Audiard, Paul Greengrass, and Pablo Trapero.

Sep 6, 2018 — Repertory Picks Tomorrow, as part of its stalwart Summer Double Features series, New York City’s recently reopened Film Forum will give the big-screen treatment to a pair of strange—but strangely fitting—bedfellows: John Waters’ Female Trouble and Leonard Kastle’s The Honeymoon...

Sep 5, 2018 — It took a while for Paul Feig—the director behind such smash-hit comedies as Bridesmaids and Spy—to come around to the darker side of cinema. Back in his college days, the filmmaker appreciated the superior technique of the dramas and foreign films he saw in his...

Sep 4, 2018 — A series at Anthology Film Archives and an archived special feature make for fine companions.