The Criterion Collection
Essays
Sep 25, 1995 — Noel Coward and David Lean’s drama is the Citizen Kane of war movies, as well as the precursor to Lean’s even more celebrated works.
The filmmaker shares how The Testament of Dr. Mabuse influenced The Dark Knight, talks about the importance of Martin Scorsese’s World Cinema Project, and praises the way David Lynch evokes dream logic on-screen.
The actor and comedian explains why His Girl Friday is “extremely Hacks-coded,” connects with David Lynch’s love of Los Angeles, and selects favorites like Thelma & Louise and Paper Moon.
The actor and writer selects two Bette Davis favorites, praises the divine insight of Defending Your Life, and shares what makes 12 Angry Men such an enduring classic.
The actor fondly recalls working with David Lynch on Inland Empire, praises the comedic brilliance of Albert Brooks, and mentions Robert Altman and Spike Lee as directors whose films capture “the essence of culture, community, and truth.
The writer and director selects a pair of feminist films by Dorothy Arzner, shares why Chantal Akerman and David Lynch are her filmmaking idols, and praises how Eric Rohmer’s Six Moral Tales portray complex dynamics between women and men.
The singer, songwriter, actor, and producer reminisces about having her mind blown by Céline and Julie Go Boating, shares how watching David Cronenberg’s movies helped her escape the repetitiveness of life on the road and praises the unabashed beauty of...
The writer and director returns to the Criterion Closet, where he pays tribute to David Lynch, praises Mikey and Nicky as a perfect collaboration between a director and actors, and reminisces about watching Persona in Ingmar Bergman’s theater on Fårö...
The actor reminisces about falling in love with Josef von Sternberg and Marlene Dietrich’s collaborations at a young age, praises Andrea Arnold’s distinct vision, and talks about how David Cronenberg’s films strike a unique balance between the extreme and the...