The Criterion Collection
The Daily
Sep 11, 2019 — Following his landmark collection of photographs, The Americans, Frank made essential films about the Beats, the Stones, and his own personal tragedies.
Sep 9, 2019 — In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.
The Daily
Sep 9, 2019 — The jury presided over by Lucrecia Martel has surprised just about everyone.
Sep 4, 2019 — The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.
Features
Sep 2, 2019 — Dark Passages Thieves’ Highway A hay cart trundles through a sunny field above Fresno, California, in the opening shot of Thieves’ Highway. This is not an image you expect to see in film noir, which most often breeds in cities, alienated from the...
Aug 30, 2019 — In 1933, Japan withdrew from the League of Nations, after being censured for its invasion of Manchuria. Despite this, the majority of Japanese people remained avid consumers of American movies and Western fashion, which exasperated the militarists in power. A...
The Daily
Aug 27, 2019 — In the run-up to Venice, Telluride, and Toronto, New York announces its retrospective and revivals.
The Daily
Aug 20, 2019 — With The Hired Hand, Fonda created a classic of the new era ushered in by Easy Rider.
Features
Aug 20, 2019 — For the past twelve months I’ve been re-plunging into Ingmar Bergman. It began with a conference in Lund, Sweden, in June of 2018, to mark the centennial of his birth; numerous experts, among them contributors to Criterion’s mammoth edition last...
The Daily
Aug 19, 2019 — Vitalina Varela leads this year’s award winners at the Locarno Film Festival.