Can-Can

Sep 28, 2015 — Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...

Sep 24, 2015 — It’s a film that stars David Bowie, so it should come as no surprise that Nicolas Roeg’s The Man Who Fell to Earth is as richly layered sonically as it is visually. However, although Bowie wrote songs for the sci-fi...

Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.

Sep 22, 2015 — Two precocious youngsters try to carve out a corner of the world just for themselves in Wes Anderson’s alternately melancholy and boisterous tale of growing pains.

Sep 21, 2015 — This week, veteran director Bruce Beresford joins the collection with Breaker Morant and Mister Johnson, two early twentieth-century period pieces about colonialism and its destructive legacies. Beresford (seen above on the set of Mister Johnson) has been making movies for...

Sep 21, 2015 — Krzysztof Kieślowski’s political and philosophical rumination, which marked an important turning point in the director's career, imagines a young man's life branching off in three possible directions.

Sep 14, 2015 — In his latest column, Peter Cowie reflects on his friendship with our beloved cofounder.

Sep 11, 2015 — Laura Poitras has proven to be one of the most daring and necessary voices in contemporary documentary cinema with such works as The Oath and the Oscar-winning Citizenfour. So we’re excited to hear that she, along with her fellow documentarian...

Sep 10, 2015 — Noah Baumbach asks one of his idols, Brian De Palma, about the stunningly elaborate museum sequence in Dressed to Kill.

Sep 8, 2015 — Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.