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Nov 12, 2019 — The Daytrippers came out in theaters in 1997, back when I was in graduate school at NYU. That was a year when you could rent videotapes everywhere—at Blockbuster, but also at a Laundromat or a bodega. There were still phone booths...

Nov 11, 2019 — This month we’re reading about the women (and men) of Hollywood, weighing arguments from all corners, and picking up an overlooked novel.

Nov 11, 2019 — Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...

Nov 8, 2019 — A digital resurrection, an image book, and a painting of a hammer all figure in this week’s round.

Nov 8, 2019 — Woman of Tokyo (1933) screens tonight in Los Angeles, and Tokyo Twilight (1957) will play for a week in New York.

Nov 8, 2019 — This weekend on the Criterion Channel, we’re presenting a case file on some of our favorite films about espionage, eavesdropping, and paranoia, as the eight-feature program Caught on Tape starts rolling on Sunday. From the analog surveillance of iconic seventies...

Nov 7, 2019 — Kasi Lemmons is an award-winning filmmaker. Her 1997 directorial debut, Eve’s Bayou, has been selected by the Library of Congress for preservation in the National Film Registry. Her latest film is Harriet, based on the life of Harriet Tubman.Photo by...

Nov 7, 2019 — Two of the most spellbinding scenes in any Hollywood movie: In the first, Judy Garland, bedecked in a cinched, blue-and-white-striped dress, and topped with a long, auburn wig, sings of her longing for “the boy next door,” her adorable, ginger-peachy...

Nov 6, 2019 — Chris Hegedus and D. A. Pennebaker’s Town Bloody Hall (1979) is one of the highlights in a program of over 300 films.

Nov 5, 2019 — What began as an artificially stoked-up controversy has led to a vital statement on the present and future of cinema.