The Criterion Collection
Jun 11, 2019 — The problem with Fred Astaire and Ginger Rogers movies, everyone agrees, is that there is never enough dancing. You have to wait through often silly plots and hit-or-miss comedy for the musical numbers that are the whole point. But the dances...
May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...
May 28, 2019 — Songbook Some songs are so beautiful that it takes six or seven or fifty listens before you really hear the words. High on the list of the greatest American songwriters, Jerome Kern crafted many such melodies: perfect enough to momentarily...
May 23, 2019 — Performances Those who have recently discovered Kim Minhee will know her as the magnetic actress in Park Chan-wook’s lascivious thriller The Handmaiden, in which she made the clinical act of tooth-filing a new form of eroticism, and in Hong Sangsoo’s...
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May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.
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May 19, 2019 — The Austrian director, a Cannes regular, is in competition for the first time with a chilly tale of a happiness-inducing flower.
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May 13, 2019 — Whether he was adapting Lillian Hellman or Stan Lee, Sargent excelled at locating the human heart beating at the center of the story.
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May 10, 2019 — The latest updates from Cannes, the Berlinale, Il Cinema Ritrovato, and beyond.
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May 8, 2019 — New restorations premiering in Cannes and Karlovy Vary and series in New York and London testify to our ongoing fascination.
May 8, 2019 — Songbook “The very first time I saw a picture of [Charles Starkweather], I knew I was looking at the future. His eyes were a double zero. There was just nothing there. He was like an outrider of what America might...